In English

• 1/24/2026

  Glory to Small Forms: The recent work of Mariano Llinás

• 6/10/2025

  Memories of a Spy Thriller: on Kleber Mendonça Filho’s O AGENTE SECRETO (2025)

• 5/28/2025

  Loving Film (Industry): on THE STUDIO (Season 1)

• 4/26/2025

  Opening Doors from Inside: a conversation with Laura Citarella on El Pampero Cine

• 9/13/2024

  Frames within Frames: on Mariano Llinás’s KUNST DER FARBE (2024)

• 8/2/2024

  El Pampero Sings: Inventions on the Motif in LA FLOR and Two More

• 6/9/2024

  On the Figure of Light: The works of Omnes Films

• 5/31/2024

  The Same and Different: on Jonás Trueba’s VOLVERÉIS (2024)

• 3/8/2024

  The World of El Pampero Cine (1): The Landscape of a Book

• 11/16/2023

  Notes on Jonas Mekas’ REQUIEM (2019)

• 11/10/2023

  Anagrams Between Nature: on THE DELINQUENTS (2023)

• 9/27/2023

  American Love Songs: on James Benning’s LANDSCAPE SUICIDE (1987)

• 9/1/2023

  A Thinking Machine: On Apichatpong Weerasethakul’s MEMORIA (2021)

• 4/9/2023

  Short notes on Mariano Llinás’ CORSINI INTERPRETA A BLOMBERG Y MACIEL (2021)

• 8/31/2022

  Notes on the Coffee Scene (MULHOLLAND DRIVE)

• 8/8/2022

  On Continuity Errors (TWIN PEAKS)

• 7/12/2022

  Introducing “La Frédérique”

• 7/8/2022

  Notes on Ernst Lubitsch’s DESIGN FOR LIVING (1933)

• 6/26/2022

  Words and Bodies – on CRIMES OF THE FUTURE (2022)

• 5/28/2022

  Crimes of the Past

• 1/30/2022

  Mise-en-scène of the Solitude – On THE FRENCH DISPATCH (2021)

• 9/28/2021

  ANNETTE (2021) by Leos Carax

• 5/21/2021

  Dreams of the Other (TWIN PEAKS)

• 4/18/2021

  A PRIMER IN SKY SOCIALISM (2014) by Ken Jacobs

• 4/18/2021

  THEME SONG (1973) by Vito Acconci

• 3/10/2021

  BLOW-UP (1966) by Michelangelo Antonioni

• 9/20/2020

  Two Notes from the 58th New York Film Festival

• 9/8/2020

  IN MY ROOM (2020) by Mati Diop

• 8/16/2020

  VARIETY (1983) by Bette Gordon

• 7/25/2020

  Two notes on Straub-Huillet’s CHRONICLE OF ANNA MAGDALENA BACH (1968)